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Harold Weston’s work has been exhibited
in more than fifty solo and two hundred group
shows, from the Baghdad Art Club in 1918 to the Adirondack
Museum in 2005.
Weston’s first
solo exhibition in 1922 at the Montross Gallery in
New York City, one of few venues for modernist art
at the time, was followed by six more shows there before
Montross closed in 1932. Other solo exhibitions during
his life were seen at, among others, Memorial Art Gallery
in Rochester, N.Y., San Francisco Museum of Art, Galerie
Joseph Billiet & Co. in Paris, Corcoran Gallery
of Art, Babcock Galleries in New York City, Boyer
Galleries in Philadelphia, and Art Institute of
Chicago. The collector Duncan Phillips bought his first
of thirty-one Westons in 1928 and held five Weston
shows at the Phillips
Memorial Gallery (now the Phillips Collection)
between 1930 and 1939.
Weston was represented at nineteen annual group exhibitions
of the Pennsylvania Academy of Fine Arts in Philadelphia
from 1923 to 1967, and twelve biennials at the Corcoran
Gallery of Art. The Whitney Museum of American Art
hung Weston paintings in four group exhibitions, including
its first and second biennials in 1932 and 1934. Works
by Weston could be seen in five exhibitions at the
Art Institute of Chicago, including its Century
of Progress Exhibition of Paintings and Sculpture in
both 1933 and 1934. The 1933 exhibition American
Sources of Modern Art at the Museum of Modern
Art in New York City showed two Westons, and in 1939
Weston was awarded third prize in American painting
at the Golden Gate International Exposition in
San Francisco for his oil painting Green
Hat.
In addition, Weston’s works have been included
in group shows at the Brooklyn Museum of Art, Metropolitan
Museum of Art, Oregon Art Museum, Philadelphia Museum
of Art, Salons of America, Tate Gallery in London,
and 1939 World’s Fair. One notable traveling
exhibition, Seventy-five Living American Painters,
circulated to cities in France and Germany in 1956–57.
The Federation of Modern Painters and Sculptors had
Westons in twenty-four of its annual group exhibitions
and mounted a memorial exhibition of his work in 1973.
Since his death, several retrospectives of Weston’s
work have been held, including at the Adirondack Museum,
Philadelphia Art Alliance, and Ulrich Museum in Wichita,
Kansas. Weston’s late gouache paintings, the Stone
Series, were shown at the Phillips Collection,
Virginia Polytechnic Institute, and Lake Placid Center
for the Arts. Exhibitions have been held at galleries,
including Salander-O’Reilly Galleries and D.
Wigmore Fine Art in New York City, and Atea Ring Gallery
in Westport, New York.
For a complete list of solo and group exhibitions please
contact the Harold
Weston Foundation.
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